Thou
Kobi Swissa
*
The beginning of movement is playing with and of time: the maneuverability of memory,
versus the inactivity, that time provokes in us.
The artifacts in the museum represent, in the same maner, something that is not directed towards...
rather from where…
It is an orientation only by sensing inside or back.
From here Thou bursts forth
it’s an appendix of the stranger to thee.
Produces an enigma within a triangle.
And so in the Museum, the hall of muses:
The no-time is the key to imagination
The a-historical object is
the opening
for a playful subject
to offer another possibility of looking
inside the cultural empire.
Offering themselves, together, communing with death in their mode of presentation.
versus the inactivity, that time provokes in us.
The artifacts in the museum represent, in the same maner, something that is not directed towards...
rather from where…
It is an orientation only by sensing inside or back.
From here Thou bursts forth
it’s an appendix of the stranger to thee.
Produces an enigma within a triangle.
And so in the Museum, the hall of muses:
The no-time is the key to imagination
The a-historical object is
the opening
for a playful subject
to offer another possibility of looking
inside the cultural empire.
Offering themselves, together, communing with death in their mode of presentation.